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For centuries religion and theater are often intertwined, the first scenic place of the medieval church and the theater is, in the Christian religion, the first sacred representation which involved the intervention of human beings "contained," was a live nativity scene that St. Francis of Assisi "organized" in 1223 in Greccio.
In Italy, the theater has a steady relationship with the Church, which involves in various ways throughout the community, clergy and laity, and is experienced in the centuries through convergences and oppositions do not unless various contradictions, such as the inclusion in effect of theater practice in the curriculum of the Jesuit colleges opposed the condemnation of the same with a lot of denial of the sacraments and burial in consecrated ground the actors.
At the close of the historic Extraordinary Jubilee proclaimed by Pope Francis, Goldoni's House proposes an overview of three appointments, through a Paul Puppa illustration and the vision of two comedies centered on such theatrical presences, different and conflicting on stage as in reality, the first of which becomes sad coincidence also a tribute to the great art of Dario Fo.
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I testi e le immagini inserite nei post sono solo in parte opere degli autori degli articoli e loro proprietà.
Immagini e testi sono talvolta tratte dal web indicando, dove possibile, fonte e autore e vengono pubblicate per scopi esclusivamente illustrativi, nel rispetto del comma 1-bis dell’articolo 70 della legge n. 633 del 22 aprile 1941, “Protezione del diritto d’autore e di altri diritti connessi al suo esercizio”.
Qualora la loro pubblicazione violasse specifici diritti di autore, si prega di comunicarlo per la tempestiva rimozione.